Camera/Photo brides - ROBERT'S PHOTOGRAPHY blog at BridesClub.com

I happened to talk to at least six brides that are crazy into cameras and digital photography this week. So, read this re-print from this site.

http://www.kenrockwell.com/tech/notcamera.htm

It echoes everything I've been preaching for years and years!

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Why is it that with over 60 years of improvements in cameras, lens sharpness and film grain, resolution and dynamic range that no one has been able to equal what Ansel Adams did back in the 1940s?
Ansel didn't even have Photoshop! How did he do it? Most attempts fall short, some are as good but different like Jack Dykinga, but no one is the same.
Why is it that photographers loaded with the most extraordinary gear who use the internet to get the exact GPS coordinates of Jack's or Ansel's photo locations and hike out there with the image in hand to ensure an exact copy (illegal by US copyright laws and common decency), that they get something that might look similar, but lacks all the impact and emotion of the original they thought they copied?
I'm not kidding. You can read about a bunch of these turkeys here. They used university astronomers to predict the one time in almost two decades that the conditions would match and had 300 of the clueless converge at just the right spot. They still didn't get the clouds, snow or shadows right. This makes Ansel cringe. Of course they didn't get anything like what they wanted.
Compelling photographs come from inspiration, not duplication.
Why is it that even though everyone knows that Photoshop can be used to take any bad image and turn it into a masterpiece, that even after hours of massaging these images look worse than when one started?
Maybe because it's entirely an artist's eye, patience and skill that makes an image and not his tools.
A camera catches your imagination. No imagination, no photo - just crap. The word "image" comes from the word "imagination." It doesn't come come from "lens sharpness" or "noise levels." David LaChapelle's work is all about his imagination, not his camera. Setting up these crazy shots is the hard part. Once set up, any camera could catch them. Give me David LaChapelle's camera and I won't get anything like he does, even if you give me the same star performers.
The only reason I have a huge lens in my photo on my home page is so I don't have to say "photographer" or "photography." The lens makes it obvious much quicker than words. That's what visual communication is all about: thinking long and hard to make your point clearly and quickly. I haven't used that huge lens in years.
Just about any camera, regardless of how good or bad it is, can be used to create outstanding photographs for magazine covers, winning photo contests and hanging in art galleries. The quality of a lens or camera has almost nothing do with the quality of images it can be used to produce.
Joe Holmes' limited-edition 13 x 19" prints of his American Museum of Natural History series sell at Manhattan's Jen Bekman Gallery for $650 each. They're made on a D70.
There are plenty of shows selling shots from Holgas for a lot more money, just that those folks don't tell me about it. Holgas sell for $14.95, brand new, here. You can see an award-winning shot made with a Holga hanging in Washington, D.C.'s Hemicycle Gallery of the Corcoran Museum of Art in their 2006 Eyes of History competition of the White House News Photographers Association here.
Walker Evans once said "People always ask me what camera I use. It's not the camera, it's - - - " and he tapped his temple with his index finger.
Jesus Christ's dad Joseph built a masterpiece of a wooden staircase in a church in New Mexico in 1873, and does anyone care what tools he used? Search all you want, you'll find plenty of scholarly discussion but never of the tools.
Your equipment DOES NOT affect the quality of your image. The less time and effort you spend worrying about your equipment the more time and effort you can spend creating great images. The right equipment just makes it easier, faster or more convenient for you to get the results you need.

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It's not the equipment, it's the photographer! Nuff said??